JOIN
THE EFFORT TO ESTABLISH
A NEW GRAMMY VOTING CATEGORY FOR ZYDECO AND CAJUN MUSIC
“ONE OF THE LAST BASTIONS OF MUSICAL REGIONALISM”
(Time Magazine 1995) |

In March of 2001, when Terrance and Cynthia Simien
connected a group of committed local music artists, economic development
and arts organizations with The Recording Academy (the Grammy folks)
with this petition effort to establish a separate voting category
for Zydeco and Cajun Music. USA Today, Billboard, CNN, Offbeat Magazine,
The Times, The Lafayette Daily Advertiser, The Times Picayune, The
Shreveport Times (front page headline) and countless radio (KRVS.org)
and TV News stations(KATC-3, Lafayette) have all supported this
effort and some even with feature stories. A special thanks to Jan
Ramsey and Joseph Irrera of Offbeat Magazine, NOLA and Herman Fusilier
of The Daily Advertiser, Lafayette.
Producer Neil Curry of CNN World beat was the
very first to report on this petition effort in of August 2001 that
featured more mainstream artists like P. Diddy and Willa Ford. There
were our indigenous Zydeco and Cajun Music artists profiled right
next to more commercially known mainstream artists.

We want to thank the following for their ongoing
support: The Louisiana Music Commission, Acadiana Arts Council,
LEDA and the CFMA (Cajun French Music Association), Lafayette Convention
and Visitors Commission, ULL Center for Cultural and Eco-Tourism,
Dr. carl Brasseaux, The Zydeco Festival in Plaisance, LA, Senator
Donald Cravins and his Zydeco Extravaganza Festival, The City of
Opelousas (The Capital of Zydeco), The City of Ft. Lauderdale CZ
Crawfish Festival, Simi Valley, CA- CZ Festival, Zydecoroad.com,
LSUE-Eunice, LA (visit their website for extensive date on CZ music
artists), The World Famous Prejeans Restaurant, Randols Restaurant,
The Blue Moon Guest House and Cite Des Arts, all of Lafayette, LA.
Ted Fox, Manager for Buckwheat Zydeco, and the many artists who
have supported this with their participation in the The Recording
Academy Memphis Chapter. A very special thanks to Todd Mouton of
Lafayette Economic Development whose constant commitment has helped
make this effort an ongoing success. Executive Director Jon Hornyak,
of NARAS Memphis Chapter-U ROCK! XOXO

Rounder Records and Arhoolie Records both have
given us their commitment of support as well. They fully recognize
the long term benefits for the artists career as well as the obvious
benefits to the label as well. This will also ensure that the these
musical traditions will be preserved and perpetuated for the next
generations to perform. Many small independent labels in Louisiana
like LouisianaRadio.com, Lanor, Acadiana Records, La Louisianne
have participated fully in the entry process to ensure that ALL
their artists and their music stay visible to the Grammy committees.
This is an important layer to this effort . We must enter all eligible
releases and achieve an ongoing minimum of 25 entries to establish
and maintain a voting category. In 2002 we increased entries from
8-10 the previous year to nearly 20. In 2003 we may well reach the
25 entry mark.

There is only one Grammy recipient in the zydeco
genre that is still with us: the fabulous Queen Ida Guillory who
was the first to garner a Grammy in 1982. Followed by two other
zydeco artists to win Grammy’s as well: Clifton Chenier and
Rocking Sidney Simien, 1985. Beausoileil to date is still the only
Cajun group to garner a Grammy for Traditional Folk in 1997.

The more commercial Rock, Pop, Rap, Hip Hop and
R&B are the ones that make the televised awards show. However
many other genres also are recognized and have their own voting
categories. Polka, New Age, Gospel, Bluegrass, World Music, Reggae,
Blues, Jazz, Latin, Tejano, Merangue, Spoken Word, Historical, Comedy,
Engineering, Producer, Graphic design, and finally the Folk (Traditional
and Contemporary) category which is where Cajun-Zydeco is currently
housed. Most recently Native American Music was established as their
own category under the folk field.
The Contemporary Folk category is one of the largest
with over 120 entries annually, has become a catch all for anyone
from Lucinda Williams and Johnny Cash to Emmylou Harris and Bob
Dylan. Indigenous CZ artists should have their recordings judged
in a more appropriate voting category. As we illustrated on our
first petition these artists differ from those currently encapsulated
in the current folk field categories, in that they share a language,
a birthplace, instrumentation and repertoire.
Now is the time for CZ music singers, engineers,
writers, musicians, producers, etc. to become active in the Grammy
nomination and voting process through increased membership, education
and participation.

• We must grow and maintain our NARAS voting
membership constituency.
• We have to be consistent by entering,
annually all eligible commercial releases.

The Recording Academy is looking for consistency
and numbers. It has to be demonstrated that these indigenous genres
are a sizeable and active part of the commercial recording process.
With the help of the singers, songwriters, musicians, producers,
engineers and graphic artists that contribute to recording Cajun
and Zydeco music, WE CAN DO THIS TOGETHER. Yes, the old analogy,
“There is strength in numbers.” is indeed applicable
here. Join us in the effort to get these artists the industry recognition
they deserve.
Contact us at MusicMatters 337.837.9997, tsimeninc@aol.com
or contact the Memphis Chapter Office, 901.525.1340 for membership
info.
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